On view: May 3 - June 13, 2025
The Institute for Art and Olfaction is honored to welcome an exhibition exploring the perfume formula. Co-curated by professor Urs Stäheli and IAO founder Saskia Wilson-Brown, this exhibition aims to showcase perfume formulas as cultural and aesthetic artifacts, presenting them in their entirety—from initial drafts to final compositions—to highlight the complex artistry inherent in these meticulously crafted lists of ingredients, and their various organizational structures.
In the realm of perfumery, formulas stand as the indispensable blueprints for crafting scents that captivate the senses. With the introduction of synthetic molecules, the ambiguous recipes of old have given way to precise formulas, meticulously detailing the exact proportions of each aromatic component. Despite their pivotal role in scent creation, formulas often occupy a paradoxical position, simultaneously overlooked and concealed. These seemingly simple inventories, reminiscent of bureaucratic tools, can obscure the artistic marvel of a completed fragrance. Moreover, they remain shrouded, for a formula holds the key to scent replication, inadvertently opening the door to imitation. Although this enigma may appear obsolete in the current landscape of scent analysis facilitated by techniques like gas chromatography, the fragrance industry, particularly the mainstream sector, clings to this secrecy, fearing consumer reactions upon discovering the synthetic nature of perfumes (Ch. Burr).
A formula functions as a meticulous list, collecting, arranging, and quantifying ingredients. While diverse artistic disciplines have embraced the aesthetic value of lists, from visual art to literature, the world of perfumery has yet to fully recognize the allure of its core list. In contrast, our exhibition endeavors to present formulas in their entirety, encompassing initial drafts and preliminary sketches, framing them as enchanting creations in their own right.
This exhibition seeks to elevate the formula itself into a cultural and aesthetic artifact. It delves into the everyday life of formulas and the nuanced aesthetic experiences—both gratifying and discomforting—that they evoke. Our intention is to assemble a diverse collection of formulas, whether they are transcribed on paper, complete with potential annotations, or captured within painstakingly organized spreadsheets. As formulas take shape in various structures—alphabetically ordered, modules, sub-formulas, and olfactory pyramids—we strive to illuminate the craftsmanship inherent in their arrangement, highlighting the aesthetic pleasure entwined within this process.
The aspiration to render formulas visible encapsulates an inherently political endeavor. In the wake of contemporary dialogues on transparency, epitomized by the IAO’s Open Source Scent Culture initiative, the 'Perfumery Code of Ethics’, and other programs, the societal, legal, and political implications of safeguarding scent ingredients as secrets come to the forefront.
"Unveiling the Essence: A Journey into Perfumery Formulas" unravels the core of the secrecy inherent to perfumery. What visual imprints does this concealed knowledge leave behind? How do formulas find sanctuary? What aesthetics emerge from the pursuit of transparency, from attempting to unveil the enigma encapsulated by each formula? By revealing the intricate world of formulas, we hope to inspire new perspectives on the artistry of perfumery, while fostering an understanding of the delicate balance between concealment and revelation that defines this realm.
The exhibition features the work of over 20 international perfumers.
A printed booklet accompanying the exhibition, with texts by Urs Stäheli, design/edit by Saskia Wilson-Brown.
Urs Stäheli is Professor of Sociological Theory and Cultural Sociology at the University of Hamburg. His research areas include poststructuralist and neo-materialist social theory, the sociology of lists and indexing, the sociology of the senses, cultural economy, and digital cultures. Publications include: Soziologie der Entnetzung (Undoing Networks) (2021); Spectacular Speculation (2013). He was principal investigator of research projects on ‘Digital Cultures of Streaming’ and ‘Digital Cultures of Disconnection”.
Currently, he is working on a book project “‘Digitizing Scents’: Molecules, Lists and AI in Perfumery” (supported by a Opus magnum grant) which examines the mundane practices of olfactory list making in perfumery, addressing the entanglement of olfactory materiality, sensuality and digitization. First publications address olfactory volatility as cultural imaginary and the role of perfume lists in social media.
Photo: TBA
In 2012, Saskia Wilson-Brown created The Institute for Art and Olfaction (IAO), a social art practice devoted to access and experimentation in creative practices with scent. Through the IAO, she has launched projects with inrernational institutions and universities. In 2013, she launched an international awards mechanism for independent perfumers called the Art and Olfaction Awards, and in 2018 she started Open Sourcing Smell Culture, an initiative devoted to open principles in perfumery.
In 2019/20 she served as a visiting lecturer in the MA Fashion program at the Royal College of Art in London, and in 2020/21 she was a Ballen Scholar at New Mexico Highlands University. In addition to running the IAO, Saskia hosts a radio show and podcast called Perfume on the Radio. Current projects include writing a book (to be released in 2026 trhough D.A.P. | Artbook), and a PhD exploring perfumery as a creative practice at University College Dublin's SmartLab.
Photo: Jiro Schneider
IAO Gallery plays host to visual art, performative, and installation-based exhibitions from artists working at the intersection of scent and art. We welcome artists from around the world in collaborative exhibitions that showcase visual art, performance, installation and – of course – scents.
932 Chung King Road
Los Angeles CA. 90012
IAO Gallery is accessible by wheelchair. However, please note that where is a one inch cement lip at the entry to the IAO.
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